. Artist:. Album:. Format: mp3 - lossy. Summary Last.fm: In just a few short years, the Notorious B.I.G.
Went from a Brooklyn street hustler to the savior of East Coast hip-hop to a tragic victim of the culture of violence he depicted so realistically on his records. His all-too-brief odyssey almost immediately took on mythic proportions, especially since his murder followed the shooting of rival Tupac Shakur by only six months.
In death, the man also known as Biggie Smalls became a symbol of the senseless violence that plagued inner-city America in the waning years of the 20th century. Albums:,.
Tracklist: CD1: 01 – Life After Death Intro 02 – Somebody’s Gotta Die 03 – Hypnotize 04 – Kick in the Door 05 – Fucking You Tonight 06 – Last Day (ft. The LOX) 07 – I Love The Dough 08 – What’s Beef?
Interlude 10 – Mo Money Mo Problems 11 – Niggas Bleed 12 – I Got a Story to Tell 13 – B.I.G. Interview Bonus Track CD2: 01 – Notorious Thugs 02 – Miss U 03 – Another (ft. Lil’ Kim) 04 – Going Back to Cali 05 – Ten Crack Commandments 06 – Playa Hater 07 – Nasty Boy 08 – Sky’s the Limit (ft.
112) 09 – The World Is Filled (ft. Too $hort, Puff Daddy) 10 – My Downfall (ft.
DMC) 11 – Long Kiss Goodnight 12 – You’re Nobody Til Somebody Kills You.
Few albums in hip-hop history make a stronger argument for this case than The Notorious B.I.G.’s Life After Death. At first glance, Life After Death shouldn’t work. It’s 24 tracks deep, and that’s not even counting a multitude of skits peppered between those two dozen songs. Despite having some genuinely great material on their double-disc extravaganzas, neither JAY-Z nor Nas could pull off that kind of excess. Yet, Biggie did.
And he did it with style. The Beginning The introduction on Life After Death picks up where Biggie last left us on the outro to Ready to Die, with his suicide still ringing in our ears as he’s being rushed to the emergency room. Puffy is lamenting his demise as we hear dramatic piano keys give way to falling raindrops. The sound of Big’s heart rate monitor flatlining, a signal he is experiencing cardiac arrest, is still fading as the first beat on the album kicks in.
Arguably the darkest song in his entire discography, “Somebody’s Gotta Die” details Biggie hearing about how his friend C-Rock just got shot by a guy named Jason, and how he plans his revenge. With the supreme eye for detail that made him such a master of storytelling, Biggie lavishes specific details that make the listener envision the scene: the dogs barking, the blood on the sneakers of the friend giving him the bad news, how he knows him from slinging on the 16th floor. Add to that Biggie’s real-life sudden death, which preceded the album’s release by a mere two weeks. As his funeral parade was slowly rolling through the crowded streets of Brooklyn, the freshly pressed discs were already stacked high in record distribution centers all over the world. Hearing the tragedy of Life After Death’s opening unfold while Biggie’s actual death was still being processed by family, friends, and fans, puts the album in a light wholly devoid of, well, light.
The storytelling at work on “Somebody’s Gotta Die” is astonishingly beautiful to behold, but damn. How do you keep the momentum going after you’ve just killed off your main character?
How do you pull your audience back from the abyss after such a torrent of utter darkness? How does this not stop the whole arch of the album dead in its tracks already? The answer: “Hypnotize.”. Behold The Black Frank White, a brand new character authored by Christopher Wallace that comes barreling in through “Hypnotize,' leaving us no time to mourn. He’s effortlessly cool, suave and insanely charismatic, but with an all the more menacing undertone. Speeding on a gleaming yacht with his scrawny buddy, running from the man, Gucci shirts flapping in the wind as stacks of money flutter across the water in their wake.
Notorious Big Life After Death Torrent
You’re witnessing the infectious birth of the shiny suit era, and it’s clear whose steering rap in this direction: Yeah, Poppa and Puff. Close like Starsky and Hutch, stick the clutch. Celebrating their cartoonishly lavish lifestyle by proxy, we’ve left the darkness well behind. But the next song makes clear that Christopher Wallace hasn’t forgotten the people that brought him here. This is underscored by a genuinely funny skit (a rare feat in itself) featuring The Madd Rapper, a character on a talk show who is ranting about why his raps deserve more success than Biggie. It’s something The Black Frank White’s success could easily allow him to ignore, but Biggie still remains a rap purist at heart.
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So he kicks in the door over a knocking Premier beat, throwing bleach in the eye of any of his peers that dare doubt his mettle. The Middle “Kick In The Door” is a rap purist’s wet dream, so of course it’s followed by “#!.@ You Tonight,” the most sexed-out, R&B crossover track on the album, featuring none other than R. Kelly, the Peed Piper himself. Trey songz chapter 5 download. This wise contrast of tracks is held up throughout practically the entire album.
Following this glorious raunchiness is “Last Day,” where Biggie and The Lox prove they can tackle a Havoc beat as well as any rapper from Queensbridge. That griminess is followed by the glitzy JAY-Z collaboration “I Love the Dough,” which, in turn, is followed by the brooding “What’s Beef?”. This is most blatantly apparent on 'Mo Money Mo Problems,' a song straight from Puffy’s patented late ‘90s template of highly recognizable, barely chopped samples from established hit records, paired with celebratory lyrics. Its predecessor? The short but stomping “B.I.G. Interlude,” in which Biggie repurposes Schoolly D’s minimalist classic “PSK, What Does It Mean?” the very song whose brutal drums and unapologetic lyrics started gangsta rap itself.
Notorious Big Death Photo
It’s every bit as recognizable and even more unchanged than the Diana Ross source material that follows, but the end result is a sharp contrast that moves the story along. On the second half of the album, we see Biggie introduce another element to his game of contrasting tracks: adopting styles from other regions. Decades before from regionally successful rap acts, Biggie was collaborating with Bone Thugs-N-Harmony on a track that’d fit right in on one of their own albums. He’d also unabashedly express his love for California on “Going Back To Cali,” a typical West Coast banger complete with Roger Troutman sample. Naturally, that record was followed by “Ten Crack Commandments,” a track featuring a booming Chuck D countdown over a classic DJ Premier beat, without a doubt the most NY record on the album. 'The World Is Filled” then features West Coast rap veteran Too $hort, which is in turn contrasted by NYC rap veteran DMC on “My Downfall,” a track that also features (wedged between No Way Out’s “Victory” and “Long Kiss Goodnight”). Closing out the album is “You're Nobody (Til Somebody Kills You),” which despite its biblical intro and moody Faith Evans backing vocals, finds The Black Frank White himself unperturbed by death.
Life After Death Experiences
On Life After Death’s opening salvo, it’s the bleak ending feared by all, solemnly wrapping up Biggie Smalls’ story. On its mirroring final track, it’s the force that births stories—why should the greatest storyteller himself ever fear it? Critics might call Big’s constantly contrasted tracklist a calculated move meant to achieve crossover success, and it probably was, at least in part, but the deft swaying between moods also makes Life After Death’s nearly two-hour runtime feel closer to half of that. Try to imagine three or four random tracks placed anywhere else on the album and you’ll quickly realize that Life After Death could’ve very easily collapsed under the weight of its own ambitions.